Music Science

Why You Should Avoid Lyrics During Spravato Sessions

Justin Page··5 min read

If you've ever tried listening to a song with lyrics during a Spravato® session and felt yourself pulled out of the experience — analyzing the words, following the story, humming along — you've felt the effect firsthand. It's not a preference. It's neuroscience.

The language center problem

Esketamine — the active compound in Spravato® — works in part by quieting the default mode network (DMN), the brain's self-referential, language-heavy "narrator." This is the network responsible for rumination, self-criticism, and the looping negative thought patterns that characterize treatment-resistant depression.

When the DMN quiets, the brain enters a more plastic, open state — one where new connections can form and old patterns can loosen. This is the therapeutic window. Lyrics, by engaging Broca's area and Wernicke's area (the brain's primary language-processing regions), can re-activate the very network the medicine is trying to quiet.

In short: lyrics pull you back into language. Language pulls you back into the analytical mind. And the analytical mind is exactly where you don't want to be during a Spravato® session.

"Lyrics engage the analytical mind — the very network Spravato® is trying to quiet. Instrumental music lets the medicine work."

Justin Page, Listening to Spravato®

What about familiar songs?

Some patients ask: "What if I know the song so well I don't really process the words?" The problem is that familiarity makes it worse, not better. Highly familiar songs with lyrics activate memory networks and autobiographical associations — pulling you not just into language, but into specific memories, emotions, and stories from your past.

This isn't always harmful — some patients find that emotionally resonant music, even with lyrics, opens meaningful material. But for most people, most of the time, unfamiliar instrumental music creates a more open, less directed inner experience. The music becomes a container rather than a guide.

The same logic applies to guided meditations

Guided meditations — even wordless ones with ambient sound — often include spoken instructions: "breathe in," "let go," "imagine a peaceful place." These verbal prompts engage the same language-processing regions as lyrics. They also impose a structure on the inner experience, directing attention rather than allowing it to move freely.

Spravato® already provides its own direction. The medicine opens the space. Your job is to be present in it — not to follow someone else's script.

What to listen to instead

Classical

Orchestral and chamber works without text — Arvo Pärt, Max Richter, Debussy

Ambient / Electronic

Brian Eno, Stars of the Lid, Hammock — expansive, non-rhythmic textures

Jazz (instrumental)

Bill Evans, Miles Davis, Keith Jarrett — melodic but non-verbal

New Age / Windham Hill

George Winston, Will Ackerman — gentle, acoustic, unhurried

The common thread: no words, no strong rhythmic demand, and enough harmonic openness to let the mind wander without being pulled in a specific direction. Explore our free curated playlists for ready-to-use options across all of these genres. free curated playlists for ready-to-use options across all of these genres.

Ready to listen?

Explore our free Spravato playlists

Curated instrumental playlists — classical, jazz, ambient, and more — built specifically for Spravato® sessions.

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The Listening to Spravato® Book

Genre guides, session playlists, and the science of music-assisted healing — by Justin Page

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Now available

The Listening to Spravato® Book

By Justin Page — genre guides, session playlists, and the science of music-assisted healing

Get the Book
Listening to Spravato®

A guide to using sound intentionally during Spravato® treatment — for patients, clinicians, and caregivers seeking deeper healing through music.

Not medical advice. Justin Page is a conservatory-trained musician (Manhattan School of Music; Berklee College of Music), Presidential Scholar, and Spravato® patient who has undergone more than 80 documented esketamine treatment sessions. His work on music and esketamine neuroscience has been reviewed by clinical collaborators and submitted to the treatment manufacturer for feedback and verification. Content on this site reflects personal clinical experience, independent research, and ongoing collaboration with licensed mental health professionals — it does not constitute medical advice and is not a substitute for guidance from your prescriber, therapist, or care team. Always consult your treating clinician before making any changes to your treatment protocol.

© 2026 Listening to Spravato®. All rights reserved.

Spravato® is a registered trademark of Janssen Pharmaceuticals, Inc., which is part of Johnson & Johnson.