Listening Guide

What to Listen to During Spravato Treatment

The music you choose during a Spravato® session isn't background noise — it's an active part of the therapeutic process. Here's a practical framework for building your listening practice.

8 min read

Music during Spravato® isn't ambient decoration. It's an active therapeutic element. Research in psychedelic-assisted therapy consistently shows that music shapes the emotional arc of the experience — the tempo, the harmonic language, the presence or absence of silence. What you choose matters enormously.

This isn't a playlist recommendation. It's a framework — a way of thinking about sound so that every session you sit down for, you're choosing music that works with the medicine rather than against it.

Why the language center matters

Spravato® (esketamine) works in part by quieting the default mode network and the language-processing centers of the brain — the parts that narrate, judge, and analyze. This is where healing happens: in the space between thoughts, not in the thoughts themselves.

Anything that re-activates the language center — lyrics, spoken-word guided meditations, podcasts, reading — pulls you back into the analytical mind and works directly against the medicine. The brain hears a word and immediately begins processing it: meaning, memory, association. That's the opposite of the open, receptive state the medicine is trying to create.

This is the core principle behind every recommendation on this site. Pure instrumental music works with the medicine. Everything else is a distraction at best, and a barrier at worst.

What to avoid

These aren't arbitrary rules. Each item on this list re-engages the analytical mind in a way that interrupts the therapeutic process:

  • Songs with lyrics (in any language)
  • Guided meditations with spoken instruction
  • Podcasts or audiobooks
  • Music with sudden dynamic shifts or jarring transitions
  • Familiar pop music (triggers memory and association rather than openness)

What works

Four categories of instrumental music have proven consistently supportive across clinical and personal experience:

Ambient & post-classical

Brian Eno, Stars of the Lid, Max Richter. Slow-moving, harmonically open, emotionally spacious. These artists were often composing with altered states in mind.

Classical slow movements

Satie, Pärt, Debussy. The familiar harmonic language creates safety without demanding attention. Nothing resolves too quickly; the music breathes.

Jazz (no vocals)

Bill Evans, Keith Jarrett solo piano. Warm, unhurried, familiar enough to feel safe. The improvisational quality mirrors the non-linear nature of the experience.

How to sequence a session

A Spravato® session has a natural arc. Your music should follow it.

Onset

0–20 min

Gentle, grounding music. Nothing too emotionally demanding. Let the medicine begin. This is not the time for intensity — it's the time for arrival.

Peak

20–60 min

More expansive, emotionally open music. This is where the deepest work happens. Trust the music to guide. Let it carry you rather than trying to direct the experience.

Integration

60–90 min

Softer, quieter. Music that supports coming back. Avoid anything jarring. The goal is a gentle return — not a sudden landing.

A note on volume

Keep it at a comfortable listening level — not so loud it overwhelms, not so quiet it disappears. The music should feel like it's holding you, not performing at you. If you find yourself adjusting the volume during a session, it's probably too loud or too soft.

The right music won't make a session perfect. But the wrong music can make it harder than it needs to be. Start with our curated playlists and adjust from there. Over time, you'll develop a sense of what your nervous system needs at each phase — and that knowledge is its own kind of healing.

Now available

The Listening to Spravato® Book

Genre guides, session playlists, and the science of music-assisted healing — by Justin Page

Get the Book

Now available

The Listening to Spravato® Book

By Justin Page — genre guides, session playlists, and the science of music-assisted healing

Get the Book
Listening to Spravato®

A guide to using sound intentionally during Spravato® treatment — for patients, clinicians, and caregivers seeking deeper healing through music.

Not medical advice. Justin Page is a conservatory-trained musician (Manhattan School of Music; Berklee College of Music), Presidential Scholar, and Spravato® patient who has undergone more than 80 documented esketamine treatment sessions. His work on music and esketamine neuroscience has been reviewed by clinical collaborators and submitted to the treatment manufacturer for feedback and verification. Content on this site reflects personal clinical experience, independent research, and ongoing collaboration with licensed mental health professionals — it does not constitute medical advice and is not a substitute for guidance from your prescriber, therapist, or care team. Always consult your treating clinician before making any changes to your treatment protocol.

© 2026 Listening to Spravato®. All rights reserved.

Spravato® is a registered trademark of Janssen Pharmaceuticals, Inc., which is part of Johnson & Johnson.